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Concerning the Nature of Things

by Jeff Snyder

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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      $5 USD  or more


  • Compact Disc (CD) + Digital Album

    Includes photographs of the invented instruments, and a beautiful design by Eric Li.

    Includes unlimited streaming of Concerning the Nature of Things via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 10 days
    edition of 100 

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Substratum 10:14
Ghost Line 11:35


The album:
Following on the heels of Sunspots, Jeff Snyder’s debut solo analog synthesizer album released this past January, Concerning the Nature of Things is a striking collection of Snyder’s concert music, performed by internationally-renowned musicians. The album is a bold statement of Snyder’s unconventional artistic voice, blending influences from medieval polyphony, algorithmically-generated Brazilian rhythms, and experimental noise music into a singular musical vision.

Four of the five pieces feature unusual electronic instruments invented and built by Snyder, many of which produce sound through acoustic resonators instead of speakers, and are designed to encourage nuanced expression from the performers, creating a visceral and corporeal quality of tone.

Three of the pieces have video components as well:
Ghost Line (
Substratum (
Undeciphered Writing (

The pieces:
Concerning the Nature of Things is a tour-de-force of Snyder’s alternate-reality Early Music, showcasing an ensemble of invented instruments (Treble and Tenor Contravielles, Resophonic and Bass Mantas, and the Birl) created by the composer and performed by members of Wet Ink Ensemble Eric Wubbels, Josh Modney, and Erin Lesser, and the voices of Gabriel Crouch (King Singers, Gallicantus) and Pulitzer-prize-winning composer Caroline Shaw (Roomful of Teeth, Kanye West), singing text from Renaissance scientist and magician Paracelsus. Strange, buzzing, just-tuned chords ring out from the ensemble, weaving nostalgia for a misremembered past that never was.

Fictitious Forces, performed by So Percussion member Jason Treuting, is a percussion quartet composed for the Drumbox, a sensitive electronic percussion instrument developed by Snyder, in combination with traditional acoustic percussion instruments. Its complex interlocking rhythmic hockets, generated via algorithm, push at the edge of our perceptual pattern recognition abilities, while the human performance of these computer dreams lends a fierce energy to the work.

Substratum, written for and performed by Susan Alcorn (Mary Halvorson Octet) and Mivos, is perhaps the first use of the pedal steel guitar (generally found in country music and the “sacred steel” gospel tradition) paired with a traditional string quartet. Harmonically reminiscent of Stravinsky, Feldman, and late Ligeti, the piece develops like an intricate root system, with the voices slowly twisting and intertwining as they search the musical space. A video of the piece, directed by Caroline Key (Grace Period), accompanies the release.

Undeciphered Writing, which was conceptually inspired by fragments of texts in lost languages, progresses mysteriously in and out of blurred tonal fragments and eroded sound textures. The piece is performed by Sideband on a consort of instruments built by the composer (Treble and Tenor Contravielles, Resophonic and Bass Mantas, and a set of Forceboxes). A video of the piece accompanies the release: (

Ghost Line, also performed by Sideband, uses webcams as instruments, with the pixel data from the cameras interpreted as audio waveforms. The performers alter the sound by moving within the frame, or by processing the video stream (altering the x and y resolution, adjusting the focus, or changing the speed or direction of the image scan). Resonant just-tuned sonorities devolve into aggressive clusters of noise, producing a masterful mix of patient harmonic changes and dense, frenetic timbral shifts. A video of the piece accompanies the release.


released November 9, 2018

1. Concerning the Nature of Things (11:24)

performed by
Caroline Shaw: voice
Gabriel Crouch: voice
Eric Wubbels: Bass Manta, Resophonic Manta
Joshua Modney: Treble Contravielle
Jeff Snyder: Tenor Contravielle
Erin Lesser: Birl
Anna Meadors: Birl

recorded by Jeff Snyder at the Princeton University Electronic Music Studios

2. Fictitious Forces (13:16)

performed by
Jason Treuting: Drumbox, Percussion
Yumi Tamashiro: Auxiliary Percussion
Eric Cha-Beach: Auxiliary Percussion

recorded by Jeff Snyder at the Princeton University Electronic Music Studios

3. Substratum (10:14)

performed by
Susan Alcorn: Pedal Steel Guitar
Mivos String Quartet
Joshua Modney: Violin
Olivia De Prato: Violin
Victor Lowrie: Viola
Mariel Roberts: Cello
Mike Mulshine: conductor

recorded by Patrick Higgins at Future Past Studios

4. Undeciphered Writing (11:46)

performed by Sideband
Jascha Narveson: Conductor
Anne Hege: Bass Manta
Konrad Kazmarek: Resophonic Manta
Michael Early: Treble Contravielle
Ariane Alexander: Tenor Contravielle
N. Cameron Britt: Forcebox with Timpani Resonator
Jeff Snyder: Forcebox with Timpani Resonator
Dan Iglesia: Forcebox
Dan Trueman: Forcebox
Lainie Fefferman: Forcebox
Rebecca Fiebrink: Forcebox

recorded by Andres Villalta at Taplin Auditorium, Princeton University

5. Ghostline (11:35)

performed by Sideband
Mika Godbole: Face Scan
Lainie Fefferman: Face Scan
Seth Cluett: Face Scan
Jascha Narveson: Face Scan
Jeff Snyder: Conductor

recorded by Jeff Snyder at Taplin Auditorium, Princeton University

Mastered by Sarah Register

Album design by Eric Li (

Cover image is a photograph of crystals under a microscope by Waad AlBawardi (, from her Secret Life of Crystals series.


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Jeff Snyder Princeton, New Jersey

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